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  • 8.5.2006

    Metaphysical apartness and the concept of reality

    I have been thinking for quite a while about the idea of explaining the concept of reality by contrasting it with instances of unreality. Interestingly, although we have a strong intuition that there is only one reality, we have no problem with conceptualizing different sorts of unreality: fiction, for instance, is about something that is not real; and so is remembering past things (in a sense, because what we remember there is no longer there - although it may have an actual influence on us which is very lively). A particular aspect of such areas of unreality is what I shall call their metaphysical apartness.

    The term is borrowed from Roger Scrutons survey of the metaphysics of sound in his Aesthetics of Music. The world of sounds is called metaphysically apart from us because we cannot be in that world in the sense of forming a part of it. We may have access to the sounds that constitute it, in that we can hear them, perceive their relations in pitches and so on; but it makes no sense to locate ourselves in the network of relations which make up that world. We are not integrated in that network as we are in the network of relations that constitute the world of physical bodies, objects in space and time, or in the network of social and communicative relations in which we enter as beings with the capacity to use language. We may also be able to produce sounds and thereby influence what happens in the sound world (note that we can only affect its content, not its fundamental structure thereby - we cannot influence the basic laws of that world, as the pitch spectrum, or the absence of opacity in it), but again, we are not agents in that world: we cannot introduce ourselves at a certain position, but only put some proper inhabitant of that world there.

    Yet there are structures which are shared between the worlds thus divided. First of all, this is of course temporal structure. At least we can, from our perspective, apply the system of temporal relations that we use for the physical or social worlds (of which we are a part) to the sounds that we perceive. We may say that the familiar time-relations (simultaneity, the earlier-than and later-than relations, and also presentness, pastness and futurity) apply to the world of sounds, and can easily be co-ordinated with events in the physical world or the social world. (Talk about events in the sound-world should also be reducible to talk about events in the physical world - this means not, of course, that it makes no sense to discuss it separately.)

    There may be further common structural features without sharing an entire relational system, though. Where the world of sounds has the entire system of temporal relations in common with the physical world and the social world, the world of the past shares only some of these relations with them (namely, the tenseless relations of earlier-than and later-than, and simultaneity). But there is no co-ordination here in the same sense as there is a co-ordination between sounds in the sound-world and events (people listening and being aware of pitch relations as intervals, people intentionally producing sounds) in the social or physical world. Temporal relations between any events that involve our perceiving (reading, viewing, listening to records), acting (reporting), invoking memory etc. occur in the present and are about something past; tenseless relations apply exactly as usual; tensed relations are largely fixed or trivialized. Instead of the identity that holds between events in the sound world and events in the physical or social world, we have here something more close to aboutness: events in the present are related to past events in that they are about them (or referring to them, representing them).

    Spatial relations, on the other hand, are shared and exactly co-ordinate between the present and past world. But we seem to run into trouble here when we try to put this claim more precisely. To describe the apartness of the world of sounds felt in a way more natural than to describe the apartness of the world of the past. Since the spatial relations are shared between the world as it is and the world as it was in the past, it seems easier to think of the past as a continuation or extension of the present, not as something apart from it. This impression is in part created by ongoing processes and persistent objects. Both are present, but are deemed to have been there for a while. We should resist that impression. Insofar these objects (or processes) have a direct continuous extension between the present time and the past time in question, the co-ordination can be done precisely because of that connection, and this means in the end, because of something that is (still) there in the present. It is only when there is no such connection that we may properly speak of them as located in the world of the past (note that it is not that they can be perceived or otherwise known to be such-and-such which makes them present; they must have present existence).

    (There is another reason for our hesitating to view the world of the past as apart from the present: it is in our own memories that we have access to the past (and to a lower degree in our imagination, when we us think ourselves back into times about which we have only knowledge by testimony or historical reconstruction). The vividness of such access to the past may well obscure the fact that it is only imaginary that we may still return there. We cannot, in whatever sense. The world of the past is in fact even further apart than it may seem at first.)

    When I said that spatial relations are co-ordinate between the present and the past worlds, I did not qualify (as I did before) the events in the present world, associating them roughly with either the objects of the physical world or with social interactions between human beings capable of language use. There are two reasons for that. One of them is that we are, strictly speaking, required to make that distinction on both sides. We have to coordinate physical events in the past with physical events in the present, and social interactions in the past with those in the present. Furthermore, since there is a co-ordination (or sometimes a translation) between physical events and interactions, there may also be some quite complex relationships between these at different times. Most of all these interrelations are temporal, but there are some corresponding spatial complexities involved here.

    The second, and more important, reason is that space and time are often seen as individuating physical objects. This may seem to speak against using what is after all a temporal notion, namely pastness, to distinguish between two worlds metaphysically apart.

    I think a fruit of an analysis of this metaphysical apartness might be the idea that there is at least one thing that can be said of reality: it must contain us - we must be a part of it. We are not inside that world of sounds; and we are also not in the past, but in the present. That was not only the starting point of, it seems also to be a constant that is presupposed in all of the discussion above. In any case, therefore the hypothesis goes, in which we are able (by whatever criterion) to distinguish between real and unreal, we would at least know on which side reality is: the side on which we ourselves are located.


 

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